All later UK video and DVD releases are fully uncut and society has not fallen apart. The BBFC puritans finally relented and allowed a cut version to be released across the UK in January 1972. It then received an ‘X’ certificate from the more enlightened and relaxed Greater London Council (GLC) for a capital-only release. When it was submitted to the BBFC – the British censors – on 27 April 1971 it was initially (and absurdly) rejected outright. Worpleson Place Hotel, Perry Hill, Guildford, Surrey Sybil Waite : “Now what ideas have you for selling this cider? It’s filthy stuff to drink.”Īdmiral’s Walk, Mill Lane, Pirbright, Surrey, England (also featured in Satan’s Slave in 1976 and Terror in 1978 )īuy: | .uk | Amazon.caĪdmiral’s Walk, Mill Lane, Pirbright, Surrey, England (also featured in Satan’s Slave, 1976) Smith, Uneasy Dreams: The Golden Age of British Horror Films, 1956 – 1976 It pulls no punches as even the opening credits are over a succession of bare breasts.” Gary A. “This truly lousy sexploitation film is more for the “raincoat crowd” than horror fans. This is partly because it has a contemporary setting, and has acquired a kitsch period feel a quarter of a century later, and partly because it makes no pretence to be anything other than what it is – pure exploitation.” Andy Boot, Fragments of Fear: An Illustrated History of British Horror Films ” … it is marginally more successful than the Hammer attempts at such things.
SYBIL 1976 FULL MOVIE ONLINE FREE PLUTO TV MOVIE
“Much of this “adult” movie is naked dancing (to bongo music) and hard-to-see orgies, but the Michelle sisters are worth a look.” Michael J. “Surprisingly well-staged low-budget tits-and-bum horror in the seventies tradition.” Howard Maxford, The A – Z of Horror Films It’s hokey, not creepy at all, and only marginally erotic, but it is frequently hilarious-in mostly unintentional ways-and certainly good for 80-odd minutes of wink-wink ironically enjoyed entertainment.” ” … a shoestring story about a lesbian-led witches’ coven, giving plenty of excuses to show near non-stop T&A. “One could almost read a feminist subtext into Vogel’s script, given ‘his’ eschewing of the standard lascivious warlock as the central villain, were there any additional evidence that the makers intended this to be anything other than Night of the Eagle with pubic hair.” Steve Green, 10 Years of Terror: British Horror Films of the 1970s “ The Virgin Witch is not very good, but it is relatively watchable thanks to some atmospheric touches and Anne Michelle’s mildly erotic presence.” The Horror Film, Cinebooks If you’re in the mood to watch a bunch of people run and dance around in their birthday suits, this is the film for you, but if it is sheer thought-provoking terror you seek, it’s best to start looking for a different coven of witches.’ Anti-Film School ‘Overall, Austin approaches the project with plenty of zest and he does turn Virgin Witch a visual winner, but as a serious horror film, it’s a massive failure.